Hotel Mark Twain
Hotel Mark Twain 2012
Mixed Media
in 19 x 32 x 5
This sign was sighted on a side street just off Hollywood Boulevard. It is not a "ghost" in the sense that it is still there and in just this condition. But it is this condition that leads me to fear that it will become a "ghost" very soon. When I chose it as a subject for my art I started researching and at first all I could find were client reviews. It is still a working hotel. But the reviews were so bad it really got me laughing. Here's an example- "This is absolutely the worst hotel on the planet. It smelled of fowl (sic) feminine odor and was riddled with bugs and crack heads. I literally threw up in my mouth when we saw our room." The only historical reference I could find was in Gregory Paul Williams "The Story Of Hollywood" which, recounting the story of Joe Barbera of Hanna Barbera fame, described the hotel thus, "He checked into the Mark Twain Hotel on Wilcox (in 1937), which he later wrote was modeled after a "not particularly enlightened penitentiary.'" So it seems like the hotel still lives up to the standards of its glory years.
Frolic Room, The Living Ghost

Living Ghost - Frolic Room
2010 Mixed Media
in 31 x 24 x 5
in 31 x 24 x 5
with electroluminescent wire


Nightime view

Detail
When I was doing my visual research it was late afternoon and it was very dark inside the bar. I could make out the shadows of a couple people in the bar and I could sense they were looking at me looking in. I didn't go in.
Musso and Frank's - Another Hollywood Ghost
Musso's is an enchanting place, a real trip back in time. After dinner I went to use the restroom and on my way there I thought I had celebrity sighting- an old actor with a familiar face whose name I couldn't recall, probably never even knew. I told my wife and daughter about it, but with my vague description they understtod nothing. As we walked back to our table we must have all stared at the poor guy with our jaws slightly slack.
When I got home I tried to figure who the actor was. I thought he was perhaps on the 1960's variety show, "Rowan and Martin's Laugh In." So I googled that and sure enough I found the actor I thought I saw- Henry Gibson.
He had died in September 2009, a year earlier.
Back by the restrooms at Musso's there was a grainy old photograph of Musso's as it appeared in about the 1920's or 30's (judging form the cars parked in front). I took a photo of the old photo and that was my source for this painting. I wanted to do colors different from "John's Cafe" but the variations I chose never looked right and I decided to stick with t"John's" colors which just looked right.

Hollywood Ghost - John's Cafe'

John's Cafe'
John's Cafe'
2010 Mixed Media
in 24 x 41 x 4
in 24 x 41 x 4
I used a photo from Gregory Paul Williams book that was dated 1917. I had to invent the colors and the objects in the windows.
Fire Escape
Fire Escape
2010 Mixed Media
in 30 x 40 x 5
in 30 x 40 x 5
Detail
My most recent work completed is almost always my favorite. This view is also on the backside of Broadway. There are at least six stories of fire escapes on this particular building, each has been embellished by grafitti artists. The whole, to me, is visually rich.
New Direction
Pantages
2008 Mixed Media
in 36 x 30 x 3
2008 Mixed Media
in 36 x 30 x 3
Grafitti Wars
2008 Mixed Media
in 36 x 30 x 3
2008 Mixed Media
in 36 x 30 x 3
I recently decided to start a series of works depicting Los Angeles. The idea has crossed my mind many times but I never quite found a way "into" the subject matter, which happens to be my hometown. I took these photos a year ago and finally got around to making the work these past few months. The funny thing was I revisited Downtown L.A. this past weekend to search for more subjects and found that each of the three buildings I depicted have changed. The building in "Grafitti Wars" has been totally restored and the graffiti is long gone. The Pantages building was also without grafitti. The Broadway Arcade Building seems to be in the process of restoration and the written signage I depicted has been removed. This used to always happen to buildings I chose for subject matter in Venice, Italy as well. No sooner than I made a work than the buildings would be restored. I used to joke that I had to make my work before they restored everything. It's funny how my work becomes a kind of historical document- documenting an ephemeral patina, a moment in time when decay and, in some cases graffiti defines a monument and then is gone, while the monument remains.
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